MUSIC BEYOND THE BOUNDARIES OF CASTE
The group is one of the most likeable musical group of Rajasthan. Apart from their unique music style and instruments, the fact that they are mixture of different caste makes it more special. Such a mixture is very rare to find in Rajasthan, where distinguish is done on the basis of caste irrespective of field. But the group believes in music as one language and one religion.
The group was formed mainly by Taga Ram Bheel and Immamuddin. It was Immamuddin’s father’s idea to uplift the musicians and give them their right of being a musician with dignity. So, they formed this group and started performing all over the India conveying their message of right to musicians and their talent. The group has performed both on international and domestic grounds.
Manganiyaar tribe has been playing in Rajput courts since time immemorial. But what they didn’t know was, that they were inspiring a notion in a young Rajput’s mind – a child who was to become one of Rajasthan’s most inspiring musicians in folk culture. Tagaram ji’s journey so far has been full of both joys and let downs. And in this journey he has had company of the finest of friends in Imam Khan amongst others.
Tagaram is a master Algoza player – a wind instrument, much like an Indianized bagpiper. It started in childhood when as a cattle herder he would spend his days practicing this ancient instrument. As the gales would blow through the barren landscape of Thar Desert, he learned to harness nature and whistle out melodious tunes through his Algoza. Tagaram found his Guru in Ustad Akbar Khan, and a companion in his teacher’s son Imam – a friendship that would last for decades. Akbar Khan was at that time a famous folk musician and his son Imam was a devoted disciple, much like Tagaram who apparently got his hands on his first Algoza when he stole one from his father’s arsenal. In his fifties now, Tagaram is a renowned performer and his group has toured in more than 20 countries, entertaining people as well as taking workshops and sharing his vast knowledge on Rajasthani folk with aspiring musicians the world over. And since the first Desert Festival in 1981 he has been amongst the select few who have played consecutively all these years in this annual celebration.
Interestingly, though, on one hand Tagaram runs a Stone Mining business and on the other hand is a craftsman of the most intricate musical instrument which he makes for himself as well as other who wish to own an authentic Algoza. Interacting with Imam Khan makes you realize that its not just the music that has kept them going; it intrigues him when he sees fellow Folk artists not earning their fair share. Hence he also works as an interpreter and lends a helping hand to performers traveling abroad, in need of necessary documents. “We have seen the world. But there are many who are more deserving than what fortune has bestowed them with; we are a single, global community of artists and I relate with them so we as a group wish to create an environment where no one is denied of basics. No one can play with an empty stomach”, he comments. He also acknowledges the importance of basic education so that no artist can be cheated with, as much as he would like the younglings of their community to carry forward their age-old tradition of Folk.
Imam ji is a forward-thinking gentleman who is open to Folk music and lyrics being modernized but at the same time he firmly believes that the gen-next should regularly interact with the veterans, learn the true meaning of the songs that they have been reciting since centuries and keep the Guru-Shishya (Teacher-Disciple) system alive. With a chortle and a smile peeping through his twisted moustache, he adds “Chela ban ke seekho, Guru ban ke nahi” (Learn like a student, without prejudices and keeping your ego aside).